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The licence Budweiser bragged about not paying!

  • Writer: The Brief
    The Brief
  • May 14
  • 2 min read

Updated: May 15


Cannes gave the year's top audio prize to a campaign whose own case study boasted "$0 spent on music rights." Then Sony arrived.

São Paulo. June 2025. Africa Creative DDB picked up the Audio & Radio Grand Prix for Budweiser's One Second Ads. Plus a Gold. Sixty-eight million TikTok impressions. Beyoncé. Kendrick Lamar. Foo Fighters. One second of each. No clearance.

The Cannes case study said the quiet part out loud. The campaign used "the minimum fans need to recognize a song, the maximum allowed without paying for music rights." The jury rewarded the line. The trade cheered. Then Sony Music Publishing arrived.


The boast that broke the case study

There is no one-second rule. Music supervisors said so. Lawyers said so. The European Court of Justice already ruled, in Kraftwerk's Metall auf Metall, that any sampling needs a licence regardless of length. The jury still gave it the top prize.

Sony filed a copyright claim. YouTube pulled the case study video. AB InBev's Brazilian unit Ambev issued a statement to Ad Age: "We deeply respect artists and hear the concern. We have a long history of supporting musicians, festivals and events. We're sorry and are working to resolve this."

Apology. Take-down. Grand Prix still on the shelf.


The trade rewarded the loophole before the loophole existed

Cannes didn't get fooled. The case study told them. They voted anyway. Shez Mehra of Audio Branding called it on LinkedIn: "The jury didn't reward creativity. They rewarded loopholes (which don't exist)." Right diagnosis.

A jury of advertising executives looked at a campaign whose entire creative premise was engineering songwriters out of the cheque, and gave it the year's biggest audio prize. The legal challenge came from the catalogue owner, not the awards body. The apology came from the parent company, not the agency. Cannes has not said a word about the trophy.

The jury didn't get fooled. The case study told them. They voted anyway.

The sync economy runs on the bet that recognition has value. Budweiser took the bet, framed it as creative courage, and put it in the deck. The trade applauded. The catalogue owner sent a takedown. The songwriters were the only ones who didn't get heard.

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